Archer City is the hometown of Larry McMurtry, and is the inspiration for the setting of his novel “The Last Picture Show.” The story center is just about a year old, and is starting to offer more workshops that aim to help all sorts of storytellers.
Brick passed away in February from colon cancer. In Brick’s final days, his friends and fellow reporters scrambled to put together a book that contains so many of his amazing stories. That book, “Everyone Leaves Behind a Name,” was published by The Sager Group and is now available. All book proceeds go to Brick’s family.
In this episode, I’m going to talk with some of men who put that book together. On the show we’ve got Ben Montgomery, a senior writer at the Tampa Bay Times, Michael Kruse, a senior staff writer for Politico, Wright Thompson, a senior writer for ESPN The Magazine, Thomas Lake, who covers politics for CNN Ditital, and Tony Rehagen, a freelance writer living in Atlanta.
Bradford Pearson is a managing editor at Southwest: The Magazine. In September, he published his story “My Kidnappers” in Philadelphia magazine. The story is about a time when Bradford was in college, and he was robbed and kidnapped at gunpoint. In the piece, he actually tracks down the men who did this to him. Bradford has also been an editor at D Magazine in Dallas.
In our Required Reading segment, Zack Lemon offers his thoughts on Tom Junod’s classic piece “The Rapist Says He’s Sorry.” Lemon is a senior at Ashland University who has served as the managing editor of the award-winning student newspaper The Collegian. He is now the senior reporter at the paper, where he has won first place in the Ohio Newspaper Association’s College Newspaper Competition for in-depth reporting for a watchdog piece on the university administration. He recently finished an internship at the Columbus Dispatch.
On June 4, SB Nation Longform published Graff’s piece, “Two Lanes to Accokeek.” The story is an at times graphic story about a street race that turned tragic in the most unimaginable way.
In this podcast, we talk about that story as well as some of Graff’s work with Charlotte Magazine, including a story about the world’s greatest female skydiver and her quest to become the first woman with 20,000 dives.
Mike Wilson is finishing up his first few months as the new editor of the Dallas Morning News. Wilson came to Dallas from ESPN’s FiveThirtyEight website, where he was managing editor.
Before that, he was the editor of the St. Petersburg/Tampa Bay Times. While in St. Petersburg, Wilson oversaw a staff of incredibly talented writers and reporters, many of whom have been featured on this podcast, reporters like Ben Montgomery, Michael Kruse and Kelley Benham French. During the podcast, we talk about a series of stories that ran in the St. Petersburg Times called Encounters. One by Kruse was about a dad teaching his young daughter how to ride a bike.
And that’s just the tip of the iceberg when it comes to the writers Wilson cultivated in Florida. He was the primary editor on Lane DeGregory’s story, “The Girl in the Window,” which won the Pulitzer Prize for feature writing in 2009.
Swift profiles the car’s thirteenth owner, Tommy Arney, who has led an extraordinary life, one that started with a brutal childhood, proceeded into a life of crime and ended up as a somewhat successful and controversial businessman. Arney sets out on a quest to restore the car to its former glory, and Swift is there for all of it. Through that narrative, Swift manages to also tell the stories of every single person who had ever owned the car. In the process, he captures America’s strange and abiding relationship with the automobile.
This is Swift’s fifth book. Since 2012, he’s been a residential fellow of the Virginia Foundation for the Humanities at the University of Virginia. Before that, he was a newspaper reporter for the Virginian-Pilot, where he was nominated five times for a Pulitzer Prize.